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sickledsnake:

itsdorkgirl:

gravemakers-and-gunslingers:


BOND is a tiny touch module. It can be a pendant or a bracelet but it comes in pairs. You keep one and you give one to a friend. When you touch it, your friend feels it. No matter where they are on the planet. We don’t do tweets, we do tickles.

we need this

gonna put it on my dick

THAT IS NOT THE INTENDED USE SIR

ld 

sickledsnake:

itsdorkgirl:

gravemakers-and-gunslingers:

BOND is a tiny touch module. It can be a pendant or a bracelet but it comes in pairs. You keep one and you give one to a friend. When you touch it, your friend feels it. No matter where they are on the planet. We don’t do tweets, we do tickles.

we need this

gonna put it on my dick

THAT IS NOT THE INTENDED USE SIR

ld 

thekazzu:

skullshroud:

heather-loves-pugs:

mayra-quijotesca:

trustisforfools:

mrspiritual:

musicalpandas:

gainingconfidencexo:

havocados:

emorenita:

why aren’t these being reblogged more often?i rather see these than “keys in hand”

Fatality

Umm so since I’m stupid could someone kindly explain each step for me like step 3 am i head butting him in the face or the chest? 

I think it depends on the height of the person, but I suppose the head is a more effective target. I hope this helps :)

Step 1: Step back the moment he reaches for you.
Step 2: Duck!
Step 3: Head butt him in the chin. It’s very important that it is the chin and not the chest because it is much more uncomfortable and disorienting to have your teeth bang together especially if it cuts his tongue (which it will if it is in the way). More than likely height won’t matter. He will be leaning forward from the missed attempt at grabbing you.
Step 4: Knee him in the balls.
Step 5: When he doubles over, jab him on his back. I believe at the base of the neck just above the shoulder blades would be best. I’m not an expert, but this seems like the best place, imo.
Step 6: Don’t lose contact. Bring your other hand over and slam your hands against the sides of his heads as hard as possible. Right on the ears is the best place; it is extremely disorienting if done correctly. Then take his head and bring it down on your knee as you bring your knee up. It’s very important that you avoid the nose because if you knee his nose it will definitely break and more than likely the bones will stab his brain killing him, so aim for his mouth instead.
Step 7: Keep your knee up and bring your foot out to kick him over. Personally, I don’t like the image because it looks like she kicked him with her toes. You do not want to do that. Instead kick him with the ball or heel of your foot and put power behind it with a push.
Step 8: He is on the ground. You could probably stop here and he would get the picture, but if you really want to…Your leg is still in the air from the kick. With all your force slam the edge of your your heel on his side. It will be more effective if you lower your body first by bending at the knee of the leg your weight is on. Done right, you can break a rib or two.

reblogging again for that^

Reblogging for the steps in the image and the explanation in the comments. I don’t so much like the explanation on the image proper, but I appreciate the thought behind it (here, have a self-defense thing, it could save you) and so I’m passing it on.

"It’s very important that you avoid the nose because if you knee his nose it will definitely break and more than likely the bones will stab his brain killing him, so aim for his mouth instead."
idk why I shouldn’t try to kill this guy tbh

Bc it’s entirely feasible you could go to jail for murder.

It is feasible, but if it happens because you happen to miss, DONT say ” I didn’t mean too!” Say ” He was going to kill me, I just know he was. ” AND KEEP TO THAT STORY. Because the person attacking you likely doesn’t plan to let his victim live.

thekazzu:

skullshroud:

heather-loves-pugs:

mayra-quijotesca:

trustisforfools:

mrspiritual:

musicalpandas:

gainingconfidencexo:

havocados:

emorenita:

why aren’t these being reblogged more often?
i rather see these than “keys in hand”

Fatality

Umm so since I’m stupid could someone kindly explain each step for me like step 3 am i head butting him in the face or the chest? 

I think it depends on the height of the person, but I suppose the head is a more effective target. I hope this helps :)

Step 1: Step back the moment he reaches for you.

Step 2: Duck!

Step 3: Head butt him in the chin. It’s very important that it is the chin and not the chest because it is much more uncomfortable and disorienting to have your teeth bang together especially if it cuts his tongue (which it will if it is in the way). More than likely height won’t matter. He will be leaning forward from the missed attempt at grabbing you.

Step 4: Knee him in the balls.

Step 5: When he doubles over, jab him on his back. I believe at the base of the neck just above the shoulder blades would be best. I’m not an expert, but this seems like the best place, imo.

Step 6: Don’t lose contact. Bring your other hand over and slam your hands against the sides of his heads as hard as possible. Right on the ears is the best place; it is extremely disorienting if done correctly. Then take his head and bring it down on your knee as you bring your knee up. It’s very important that you avoid the nose because if you knee his nose it will definitely break and more than likely the bones will stab his brain killing him, so aim for his mouth instead.

Step 7: Keep your knee up and bring your foot out to kick him over. Personally, I don’t like the image because it looks like she kicked him with her toes. You do not want to do that. Instead kick him with the ball or heel of your foot and put power behind it with a push.

Step 8: He is on the ground. You could probably stop here and he would get the picture, but if you really want to…Your leg is still in the air from the kick. With all your force slam the edge of your your heel on his side. It will be more effective if you lower your body first by bending at the knee of the leg your weight is on. Done right, you can break a rib or two.

reblogging again for that^

Reblogging for the steps in the image and the explanation in the comments. I don’t so much like the explanation on the image proper, but I appreciate the thought behind it (here, have a self-defense thing, it could save you) and so I’m passing it on.

"It’s very important that you avoid the nose because if you knee his nose it will definitely break and more than likely the bones will stab his brain killing him, so aim for his mouth instead."

idk why I shouldn’t try to kill this guy tbh

Bc it’s entirely feasible you could go to jail for murder.

It is feasible, but if it happens because you happen to miss, DONT say ” I didn’t mean too!” Say ” He was going to kill me, I just know he was. ” AND KEEP TO THAT STORY. Because the person attacking you likely doesn’t plan to let his victim live.

annabellioncourt:

mangabreadroll:

tflatte:

blackbanshee:

fearless-proud-andstrong:

ohhaiimelissa:

kristalbabich:

“It’s Been An Adventure, Mr. Fredricksen.”


“Adventure Is Out There!”

Someone asked me to post these two companion pieces together so it was easier to reblog them.

THIS WAS NOT OKAY

DUG

HE’S STILL WEARING THE ELLIE BADGE

I was just going to scroll past this when I REALISED what it was

NOPE

anthonyholden:

What are studios looking for? How can I get into a good animation school? What should I be studying?

I get a lot of these types of questions now and again, and I never know how to answer them. I can’t be sure of what studios are looking for, I don’t control admissions policies to schools, and I have little idea what makes for a current and relevant curriculum. There are a lot of variables in your bid for a career in animation, and it’s kind of impossible to control most of them. You must be crazy to want this job!

I find it helpful to focus on the things I can control. Among those things are your study habits and how you spend your personal time. It’s good to work hard and have goals—without them we would get nowhere. Study hard and make decisive strides towards achieving your art goals. But in the heat of that pursuit, don’t forget to go out and live your life!

If you spend any amount of time looking at artists online, you’ve probably figured out by now that there are about a million dudes and dudettes in internetville who draw better than you (I relive this realization daily). Once your have done your best to rise to their level, the only tool you have to compete with these crazy talents is your background, your personal character—is you!

Consider developing your whole self with the same raw focus and intensity that you develop a particular skill set. Get focused. Go out, have adventures. Run, jump, skin your knee, fall in love, root loudly for the away team at a baseball game, barely escape a crash of stampeding rhinos, live to see another day. Experience things big and small. Go for a walk. The world is full of wonders.

I know this advice is not particularly animation-specific, but maybe that’s for the best. At any rate, it is something I feel strongly about. Animation is great, and there are few things that I enjoy doing more than drawing and storytelling. But in order to have stories to tell, first you have to live them.

Be good, and see you soon!

PS, if you were looking for advice on draftsmanship you should probably be reading this.


"I think it’s important to remember that there are transgender women who are totally fine with their genitalia and are totally fine with being a woman with a penis and do not want to have any kind of sexual reassignment surgery. And that doesn’t make them any less a woman. It just means they’re a woman with a penis. And the same for the reverse of that with people that are male transgender people that don’t have penises and have vaginas, but that doesn’t make them any less male. So, a lot of it is just recognizing that it’s not necessarily about the genitalia, it’s a psychological thing in many ways. This is probably like a cliche, an example of it that’s been overused, but a soldier goes off to war in Afghanistan and Iraq, steps on a landmine, and it blows his fucking dick off. Right? Does that mean he’s no longer male? Does the lack of genitalia suddenly negate his manhood? No, because it’s in his brain. You know? That’s just something that he was born with that’s there. Same with a woman who’s had a hysterectomy or something like that. It’s not based on external genitalia. That has nothing to do with your gender identity. It’s a psychological thing. You’re born one way or another." [x]
"I think it’s important to remember that there are transgender women who are totally fine with their genitalia and are totally fine with being a woman with a penis and do not want to have any kind of sexual reassignment surgery. And that doesn’t make them any less a woman. It just means they’re a woman with a penis. And the same for the reverse of that with people that are male transgender people that don’t have penises and have vaginas, but that doesn’t make them any less male. So, a lot of it is just recognizing that it’s not necessarily about the genitalia, it’s a psychological thing in many ways. This is probably like a cliche, an example of it that’s been overused, but a soldier goes off to war in Afghanistan and Iraq, steps on a landmine, and it blows his fucking dick off. Right? Does that mean he’s no longer male? Does the lack of genitalia suddenly negate his manhood? No, because it’s in his brain. You know? That’s just something that he was born with that’s there. Same with a woman who’s had a hysterectomy or something like that. It’s not based on external genitalia. That has nothing to do with your gender identity. It’s a psychological thing. You’re born one way or another." [x]

whisperingf0rests:

artbymoga:

Most importantly: you’re stronger than you think.

WHY DOES THIS NOT HAVE MORE NOTES

stereowire:

and maybe i’m too blind to see, the line was always crossed in me

stereowire:

and maybe i’m too blind to see, the line was always crossed in me

avatar-trisana:

levels of headcanon:

  • This is heavily supported by text/subtext and is likely what the creators intended for me to get from this 
  • this is sort of supported by the text and could, conceivably be what the creators intended for me to get from the text/subtext
  • there is no evidence either way
  • there is slight evidence against my headcanon, but I don’t care
  • I’ve stopped giving a shit about canon

isupportstony:

i really love stony, but i really dislike top!steve as well